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ANTOINETTE VON SAURMA meets ERNST LUDWIG KIRCHNER
VON KLINGER BIS STUCK
Bildwelten des deutschen Symbolismus
DODO (Dörte Clara Wolff)
At the café
1926/27
Gouache over pencil on cardboard
39 : 31 cm
30.000 €
Charles Johann Palmié
Spring Landscape
1907
Oil on canvas
73 : 83 cm
Signed, dated and inscribed lower right: “Charles J. Palmié/Hard 07.”
19.500 €
Louis Anquetin
Le déjeuner à Bourgueil (Réunion d’amis à Bourgueil)
c.1893
Oil on canvas
90 : 125.5 cm
Price on request
Richard Bloos
Parisian Orchestra
c.1910
Oil on canvas
65 : 81 cm
Signed and inscribed lower right: “R. Bloos/Paris”
7.800 €
Henry Bing
Street Scene
c.1912
Ink, coloured chalk, heightened with white on paper
30 : 23.5 cm
Signed lower right
1.800 €
Lyonel Feininger
The Towers of Notre Dame in Paris
1907
Oil on panel
17.9 : 13.7 cm
Price on request
Charles Johann Palmié
At the Port of Honfleur
1906
Oil on canvas
59.5 : 73 cm
Signed, inscribed and dated lower left: “Charles J. Palmié / Honfleur. 06”
24.000 €
More details
DODO (Dörte Clara Wolff)
Dance Dress and Evening Cape
c.1926
Ink and watercolours on paper
40 : 25 cm
Vogue pattern for the Michels silk weaving company
Price on request
DODO (Dörte Clara Wolff)
Two Daytime Ensembles
c.1926
Ink and watercolours on paper
38 : 25 cm
Signed lower left
Vogue pattern for the Michels silk weaving company
Price on request
Jules Pascin
Parisian Street Scene
c.1925
Pencil and watercolour on paper
35.5 : 27 cm
Studio stamp and signed lower right
Jules Pascin
Sitting Girl
c.1905
Charcoal and pastels on paper
44.5 : 35.5 cm
Studio stamp and signed lower right
Verso collection stamp of the Trachler collection
Henry Bing
Mona Lisa
1911
Ink, coloured chalk, heightened with white on cardboard
28 : 37 cm
Ink, coloured chalk, heightened with white on cardboard
27.5 : 36.5 cm
Signed upper right
5.500 €
INSPIRATION FRANCE
From Impressionism to Art Deco
Towards the end of the 19th and the beginning of the 20th century, the art metropolis of Paris enticed with artistic redefinition, liberation from outdated conventions and versatile artistic inspiration. The added economic prosperity as well as a multitude of technical innovations in transport, architecture and above all art made Paris a cultural focal point. First and foremost, the French artists initiated and shaped the lively exchange in their capital. They met in large squares and cafés between Montmartre and Montparnasse or for picnics in the countryside. In his impressionist painting Le déjeuner à Bourgueil, the French artist Louis Anquetin depicted himself surrounded by his friends, the writer Jean Moréas, the painter Charles Conder and the guitar-playing doctor Henri Bourges. The expression of deep affinity as well as the intense exchange between the sitters reflects the liveliness of the artistic scene in Paris.
Attracted by this, German artists such as Charles Johann Palmié, Richard Bloos, Walter Bondy or Lyonel and Julia Feininger flocked to the city. They all wanted to satisfy their longing to study and discuss the latest trends of French modernism or the great paintings by Monet, Renoir or van Gogh. But the pull was by no means exclusive to German artists, but also to many other European artists: above all, the tragic figure of the later Prince of Montparnasse and Bulgarian draughtsman Jules Pascin vinternalised the restless artist's life around the Café du Dôme to the core.
With the outbreak of the First World War, all German artists who had been in France until then had to return to their homeland. This put an abrupt end to the fruitful exchange that had been going on up to then, especially as the years of privation during the war would have a lasting effect on society. But with the renewed economic upswing from the mid-1920s, the old contacts with Parisian friends were reactivated. It is hardly surprising, therefore, that the Art Deco aesthetic developed into a renewed style that transcended national boundaries. Watercolours, such as those by the Berlin artist Dörte Clara Wolff, called DODO illustrate the sophisticated lifestyle of the upper 10,000, who enjoyed themselves between the Côte d'Azur, the Swiss mountains and Egypt.
INSPIRATION FRANCE
From Impressionism to Art Deco
VON KLINGER BIS STUCK
Bildwelten des deutschen Symbolismus
Antoinette von Saurma
Nwantantay II
2020
Gouache and graphite on black paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed
Festivity mask from Burkina Faso
6.000 €
Antoinette von Saurma
Crowned Mask
2020
Gouache and graphite on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: “Mali. Crowned mask“
6.000 €
Antoinette von Saurma
Intimidation Mask
2020
Gouache and graphite on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: „Central african Intimidation mask”
6.000 €
Antoinette von Saurma
Ochre Mask
2020
Gouache, graphite and chalk on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: “Ochre mask / Peace“
6.000 €
Antoinette von Saurma
Portait Mask
2020
Gouache and graphite on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: „Portait Mask – Upper central Africa. (Baule) Ivory Coast = peace + beauty”
6.000 €
Antoinette von Saurma
Human Mask
2020
Gouache and graphite on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: „Central Africa (Gabon?)”
6.000 €
Antoinette von Saurma
Chivara Mask
2020
Gouache on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: “Springbock Spirit/ Serie Maskd. (Male) -> ‘Chivara’“
6.000 €
Ernst Ludwig Kirchner
Seated Woman in Tub
c.1910/13
Ink on vellum
52 : 34 cm
Verso Fruit still life, estate stamp of the “Kunstmuseum Basel” (Lugt 1570b) and registration number “F BE / Bg 41”
Price on request
Antoinette von Saurma
Bird Mask II
2020
Gouache, graphite and chalk on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: „Sanofo from Ivory Coast –Combines Antilope & birds/ Crop protection”
6.000 €
Antoinette von Saurma
Antelope Helmet Mask
2020
Gouache and graphite on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: “Antelope helmet mask – Mali“
6.000 €
Antoinette von Saurma
Bird Mask II
2020
Gouache, graphite and chalk on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: „Sanofo from Ivory Coast –Combines Antilope & birds/ Crop protection”
6.000 €
Antoinette von Saurma
Chameleon Mask
2020
Gouache on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: „Chameleon”
6.000 €
Antoinette von Saurma
Mbto Mask
2020
Gouache and graphite on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: “Lamane / Serie Maskd ‘Lamane’ – a hornbill (Mbto)“
6.000 €
Ernst Ludwig Kirchner
Woman in Bathtub
c.1925
Charcoal on paper
49.8 : 34.9 cm
Signed lower left
Price on request
Antoinette von Saurma
Nwantantay I
2020
Gouache and graphite on black paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed
Festivity mask from Burkina Faso
6.000 €
Antoinette von Saurma
Crocodile Mask
2020
Gouache and graphite on paper
41.5 : 29.5 cm
Verso monogrammed, signed, dated and inscribed: „Ivory Coast. Baoulé (Stamm) – Crocodile to plead for distance to village”
6.000 €
INSPIRATION FRANCE
From Impressionism to Art Deco
ANTOINETTE VON SAURMA meets ERNST LUDWIG KIRCHNER
Osmar Schindler
Aurora’s Triumph
1887
Watercolour, gouache and ink over pencil on paper
27.5 : 49.5 cm
Dated lower right
6.500 €
Ferdinand von Reznicek
Pierrot
1895
Oil on canvas
110 : 56 cm
Signed inscribed and dated lower right: “Reznicek/Mchn.95.”
28.000 €
Franz von Lenbach
Ernst von Possart as Richard III.
Oil on canvas
120 : 105 cm
On the reverse side Lolo von Lenbach’s 1937 expertise
28.000 €
Franz von Stuck
Lovers at the Edge of the Woods
c.1892
Oil on canvas
42 : 62 cm
Signed lower right
Price on request
Franz von Stuck
Private: Portrait of a Lady
c.1910
Pastel on cardboard
55.5 : 50.5 cm
Signed centre right
36.000 €
Max Klinger
Venus in a Shell Chariot
c.1912
Oil on canvas
56 : 233 cm
Monogrammed lower right: “MK”
Price on request
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